Genre and film noir.
Film noir is a style or genre of cinematographic film marked by a mood of pessimism, fatalism, and menace. The term was originally applied (by a group of French critics) to American thriller or detective films made in the period 1944–54 and to the work of directors such as Orson Welles, Fritz Lang, and Billy Wilder. A film noir has very specific and strict conventions, these are things such as the cinematography used this is often distorted, skewed and uncomfortable to look at in order to put the viewer at unease this reflects the tone of noir.
these particular shots can be things such as dutch tilts, extreme close ups and low and high angle shots. locations of film Noirs is another convention as they use everyday locations to make what was happening seem ever more realistic to the viewer. Another use of mise-en-scene is chiaroscuro and high contrast lighting to add to the feel of mystery. Sound is used in film Noirs to compliment the feeling of pessimism and foreboding which was reflected in the films. Editing in film noir often follows many of the traditional crime characteristics but they are normally told non linearly. Film noirs also feature a narrative often told from the perspective of the male protagonist. Characters were also a strict convention because most of the films normally had a private eye and a femme fatale.
A typical film of this specified genre is Maltese falcon this film is significant because it clearly shows and defines the conventions which have become linked with the genre.
The protagonist (Humphrey Bogart) became the figurehead for films of this genre at the time.
Film noir is a style or genre of cinematographic film marked by a mood of pessimism, fatalism, and menace. The term was originally applied (by a group of French critics) to American thriller or detective films made in the period 1944–54 and to the work of directors such as Orson Welles, Fritz Lang, and Billy Wilder. A film noir has very specific and strict conventions, these are things such as the cinematography used this is often distorted, skewed and uncomfortable to look at in order to put the viewer at unease this reflects the tone of noir.
these particular shots can be things such as dutch tilts, extreme close ups and low and high angle shots. locations of film Noirs is another convention as they use everyday locations to make what was happening seem ever more realistic to the viewer. Another use of mise-en-scene is chiaroscuro and high contrast lighting to add to the feel of mystery. Sound is used in film Noirs to compliment the feeling of pessimism and foreboding which was reflected in the films. Editing in film noir often follows many of the traditional crime characteristics but they are normally told non linearly. Film noirs also feature a narrative often told from the perspective of the male protagonist. Characters were also a strict convention because most of the films normally had a private eye and a femme fatale.
A typical film of this specified genre is Maltese falcon this film is significant because it clearly shows and defines the conventions which have become linked with the genre.
The protagonist (Humphrey Bogart) became the figurehead for films of this genre at the time.
No comments:
Post a Comment